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2012 unmarried by Taylor Swift

"We Are Never Ever Getting Back Together"
A photograph of Swift wearing sunglasses, a white shirt and black shorts sitting on a grassland. Her name "Taylor Swift" is printed in white and the title "We Are Never Ever Getting Back Together" is printed in red, both are capitalized.
Single past Taylor Swift
from the album Red
Released August thirteen, 2012 (2012-08-13)
Studio
  • Conway (Los Angeles)
  • MXM (Stockholm)
Genre
  • Dance-pop
  • pop stone
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:12
Label Big Machine
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Max Martin
  • Shellback
  • Taylor Swift[1]
Taylor Swift singles chronology
"Both of U.s."
(2012) 		"We Are Never E'er Getting Dorsum Together"
(2012) 		"Ronan"
(2012)
Music video
"We Are Never Ever Getting Back Together" on YouTube

"Nosotros Are Never E'er Getting Dorsum Together" is a song by American singer-songwriter Taylor Swift, taken from her fourth studio album, Cherry-red (2012). It was released for digital download and to U.Southward. pop radio every bit the lead single from Red on August 13, 2012, past Big Machine Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat trip the light fantastic toe-pop and popular rock song, "We Are Never Ever Getting Dorsum Together" contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word span. Its lyrics express Swift'south frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.South. country radio on August 21, 2012.

Music critics praised the track for its catchy melody and radio-friendly sound, though some described its lyrics equally subpar for Swift's songwriting abilities. The song appeared in year-finish lists by Rolling Stone, Time, and The Village Voice. "We Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top v in Australia, Ireland, Israel, Japan, and the U.K. On the U.S. Billboard Hot 100, the single debuted at number 72 and rose to number one the following calendar week, registering one of the biggest single-week jumps in chart history. The single spent a tape-breaking ix consecutive weeks topping the Hot Country Songs chart, and received multi-platinum certifications in Australia, Japan, New Zealand, and the U.S.

The music video for the song was released on August xxx, 2012. The accolades that "We Are Never Ever Getting Back Together" received include a Billboard Music Laurels for Top State Song, a Grammy Award nomination for Record of the Year, a CMT Music Honour nomination for Best Music Video, and a People'due south Choice Award nomination for Favorite Vocal. Swift included the song on the prepare lists of three of her globe tours: the Blood-red Tour (2013–xiv), the 1989 World Tour (2015), and Reputation Stadium Tour (2018). A re-recorded version of the song is featured on Cherry-red (Taylor's Version), Swift'south 2021 re-recording of her 2012 album.

Groundwork and release [edit]

Subsequently writing Speak At present (2010) entirely solo, Swift opted to collaborate with different songwriters and producers for Crimson. Thus, she called Max Martin and Shellback, two songwriters and producers whose piece of work she admired, to discuss a possible collaboration. The trio conceived the concept for "We Are Never Ever Getting Back Together" shortly after a friend of Swift's ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her old flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the human relationship, which she described as "break upwards, get dorsum together, break upwardly, get dorsum together, just, ugh, the worst". When Martin suggested that they write about the incident, Swift began playing the guitar and singing, "We are never ever......", and the song flowed rapidly afterwards. She described the process as ane of the nearly humorous experiences she had while recording, and said the musical partners matched her expectations. An audio clip of her sarcastically speaking nearly breakups tin be heard before the final chorus.[two]

The single was the lead unmarried from Red.[3] Swift premiered the single on August 13, 2012, during a live chat on Google+[4] with the song released on Google Play that twenty-four hours[5] for digital download and to iTunes and Amazon.com the next day, August 14.[6] [vii] A lyric video also premiered on Swift's official Vevo that same day.[8] The vocal was released to Adult Gimmicky radio stations on August 13, 2012[9] and to mainstream radio stations the next twenty-four hours.[10] The song was released to country radio on August 21, 2012.[xi] The music video for the song premiered on August 30, 2012.[12] A limited edition individually numbered CD unmarried was released to Swift's official shop and Amazon.com on September 4, 2012. The limited edition CD single was packaged with a "Nosotros Are Never Ever Getting Back Together" T-shirt and haversack.[13] The CD single was also available for individual buy.[14] The CD unmarried was released exclusively to US Walmart stores the same day.[xv]

Composition and lyrics [edit]

The iii-minute-and-twelve-second song[v] features electronic heavy product accompanied to acoustic guitars, a banjo, and a pop music song styling, a musical transition for Swift.[16] Information technology was written in the key of One thousand Major with a common fourth dimension signature and a slow tempo of 80-6 beats per minute, with Swift's vocals spanning ane octave and five notes, from Chiliadiii to Due east5.[17] The track features an audio-visual guitar (some of its sounds are reversed) and diverse synthesizers over an electronic drum vanquish. The country radio release featured a different instrumental organization. The alternate mix replaced the guitar, drum auto, and synthesizers with a mandolin, fiddle, steel guitar and snare drums.[xviii] The song was written by Swift, forth with Max Martin and Shellback.[18] [xix] The lyrics hash out Swift'south frustration towards a former male person lover who wants to rekindle their relationship. Jonathan Keefe of Camber Magazine describes it as a bubblegum pop number[20] [21] while AllMusic categorized the song under the dance-pop genre.[22] James Lancho, reviewing the album Cherry-red called the song "sassy pop-rock in the mould of Katy Perry",[23] and Marc Hogan of Spin accounted the unmarried "saucy electro-pop".[24] The New York Times dubbed information technology a "snarky electro-folk tune".[25]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
Billboard four.5/five[26]
Common Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the vocal received positive reviews from music critics. Robert Myers of The Village Phonation felt that the song, while "good", was "non Swift at her best" and speculated that the determination to release it as a lead single was fabricated for commercial reasons: "I doubt 'Never E'er' is fifty-fifty shut to being the best song on Red; information technology's a teaser, an indication to her fans of what'southward coming upward. That sounds like commercial calculation of the worst kind, but I don't retrieve information technology is. Swift'southward connection with her audience is possibly more important than her connection with her boyfriends. And at that place is one bright bear on: the spoken scrap that comes later the middle viii."[30] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy hook".[18] While describing the song equally "joyous", he nevertheless expressed concern that the song's "juvenile sensibilities" marked a regression following Swift'south work on Speak Now.[eighteen] Jody Rosen of Rolling Rock noted that the vocal's "hooks, plural, take a zing that's more Stockholm than Nashville. But information technology'south unmistakably Taylor: a witty human relationship postmortem, delivered in inimitable girlie-girl patois. And this chip – "I'm just, I mean, this is exhausting. Similar, nosotros are never getting back together. Like, ever" – might exist the most sublime spoken-word interlude in pop since Barry White died."[29]

Marah Eakin of The A.5. Society commented on "what a skillful vocal information technology is": "With its thumping boot drum, clipped syncopation, and mildly snarky lyrics, it's a teen dream in the vein of Swift's other sing-forth jams like "Beloved Story" or "You Belong with Me."[31] Kevin Coyne of Country Universe gave the song a failing D grade, calling it a "huge footstep astern".[32] James Montgomery of MTV felt the "fantastic" vocal may "represent a turning point in her career ... Swift no longer has any interest in existence the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to dominate radio ... all shiny, silverish guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described it as "one of the catchiest tunes she'south ever penned".[34] Jonathan Keefe of Slant Magazine described "the melodic hook" every bit the song's best attribute only criticized Swift's "stilted phrasing". He described her vocal operation as a "complete misfire", pointing out that her voice was at its "virtually unpleasant and nasal". Even so, Keefe warned that it was "premature" to say the "full-on pop" song "signals annihilation more than than a temporary breakdown".[20] David Malitz of The Washington Postal service found the vocal immature and remarked, "the chorus is tricky but if this is representative of what awaits on Red, it'southward difficult to exist too excited".[35] Glenn Gamboa of Newsday described it as "anthemic in a slick popular way, rather than her usual modern country way ... Part of T. Swizzle's charm is the fashion she makes her songs audio 18-carat and conversational and 'Never Ever' is no exception".[36] Billy Dukes of Sense of taste of Country stated that "[Swift] captures the acrimony of young dear gone incorrect amend than anyone since, well…[Taylor] Swift" and that the song's melody is "hard to cover chop-chop."[37] However, Camille Isle of mann of CBS News considered the song to exist "catchy".[38]

"We Are Never E'er Getting Back Together" featured on 2012 year-end lists by Rolling Stone (second),[39] Time (fourth),[40] The Guardian (5th),[41] The Village Voice 'south Pazz & Jop critics' poll (sixth),[42] PopMatters (11th),[43] NME (24th),[44] and Event (40th).[45] The single was named the 169th best song of 2010–2014 on Pitchfork's "The 200 Best Tracks of the Decade So Far (2010-2014)" list.[46] It also received a Grammy nomination for Tape of the Year for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the vocal as the 71st best song of the 2010s.[48] Rolling Stone ranked the song as the thirteenth-best female state song of the 2000s and 2010s.[49] The Tampa Bay Times ranked it 4th on their list of the all-time 2010s pop songs.[50]

Accolades [edit]

Year Organization Award/work Consequence Ref
2012 Guinness World Records Fastest Selling Single in Digital History Won [51]
2013 Academy of Country Music Awards All-time Music Video Nominated [52]
Billboard Music Awards Elevation Streaming Vocal (Video) Nominated [53]
Peak Country Song Won
BMI Awards Award-Winning Songs Won [54]
CMT Music Awards Video of the Yr Nominated [55]
Grammy Awards Record of the Twelvemonth Nominated [56]
MTV Video Music Awards Japan Best Female person Video Nominated [57]
Best Pop Video Nominated
Best Karaoke Video Nominated
Much Music Video Awards International Video of the Twelvemonth Nominated [58]
Myx Music Award Favourite International Video Nominated [59]
Nickelodeon Kids' Pick Awards Favourite Vocal Nominated [60]
Argentine republic Nickelodeon Kids' Choice Awards Favorite International Song Nominated [61]
People's Pick Awards Favourite Song Nominated [62]
Radio Disney Music Awards Best Suspension Up Song Won [63]
[64]
Sirius XM Holdings Awards International Video of the Year Nominated [65]
International Unmarried of the Year Nominated
Teen Option Awards Choice Break-Up Song Nominated [66]
Option Country Song Won
MTV Millennial Awards Hit Chicle del Año (Catchiest Hit of the Year) Won [67]
Hito Music Awards Best Western Song Won [68]
2014 World Music Awards World's Best Song Won [69]
World'due south All-time Video Nominated
ASCAP Awards Most Performed Song Won [seventy]
BMI Pop Awards Honour-Winning Vocal Won [71]

Commercial performance [edit]

In the U.S., "We Are Never Ever Getting Back Together" debuted at number 72 on the Billboard Hot 100 chart week ending August 25, 2012, based on two days of airplay.[72] It rose to number one the post-obit week, registering one of the biggest unmarried-week jumps in nautical chart history.[73] Giving Swift her first Hot 100 number 1, it fabricated Swift the country creative person with the most top-x chart entries (eleven, tying with Kenny Rogers).[74] Information technology spent two consecutive weeks at number ane[75] and was the first country vocal to spend three or more weeks at number one later Kenny Rogers's "Lady" (1980).[76] The unmarried stayed in the top ten for thirteen non-consecutive weeks.[77] On the Radio Songs nautical chart, "We Are Never E'er Getting Back Together" entered at number 25, the highest debut for a song past a female country creative person.[78] It peaked at number three for three non-consecutive weeks, giving Swift her fourth superlative-ten entry.[79] On the Hot Digital Songs chart, "We Are Never Ever Getting Back Together" debuted at number one with kickoff-calendar week sales of 623,000 digital copies in the calendar week catastrophe September ane, 2012, setting a record for the fastest-selling digital single by a female creative person in Billboard chart history.[note i]

A black-and-white portrait of Connie Smith in 1960s hairstyle looking upwards

The single debuted at number 13 on the Hot Country Songs chart week ending September 1, 2012, based on airplay solitary.[82] After Billboard changed the methodology for the nautical chart, incorporating digital sales and streaming into nautical chart rankings in addition to airplay, "We Are Never Ever Getting Back Together" ascended to number ane for the chart dated October 20, 2012, giving Swift her seventh Hot State Songs number 1.[83] This prompted industry debate over the condition of Swift as a land creative person, given that "We Are Never Ever Getting Back Together" received lukewarm reception at country radio and never reached the peak ten of the State Airplay chart, and was more than favorably received at pop radio.[84] It remained on the top spot of the Hot Land Songs for ix consecutive weeks, breaking the eight consecutive weeks tape of Connie Smith's "Once a Mean solar day" (1965) for the longest unbroken run at number one for a female artist.[85] The song spent a total of x weeks at number i,[86] a career all-time for Swift and a record for the longest-run at number one for a female artist.[note 2]

"Nosotros Are Never Ever Getting Back Together" peaked within the meridian x of Billboard airplay charts including Adult Contemporary, where it reached number x for vii non-consecutive weeks,[89] Adult Top 40, where information technology reached number 7,[90] and Mainstream Top 40, where it peaked at number two for four non-consecutive weeks.[91] Roughly two months after its release, the single surpassed two million U.S. digital sales by September 2012, making Swift the first country creative person two have six digital singles each sell over two million copies.[92] By July 2019, "We Are Never E'er Getting Dorsum Together" had sold 4.1 million copies in the U.Southward.[93] The Recording Industry Association of America (RIAA) certified the single half-dozen times platinum, denoting half-dozen million units based on sales and streaming.[94] In neighboring Canada, the unmarried peaked atop the Canadian Hot 100, Swift's second number one following "Today Was a Fairytale" (2010).[95] Information technology was certified aureate by Music Canada (MC).[96]

Outside North America, "We Are Never E'er Getting Back Together" peaked atop the record nautical chart in New Zealand, where it was certified double platinum past Recorded Music NZ (RMNZ).[97] The single peaked within the height ten on charts in Israel (number two),[98] Australia (number iii),[99] Republic of ireland (number four),[100] the U.1000. (number four),[101] Norway (number six),[102] Hungary (number 9),[103] and Spain (number 9).[104] Information technology peaked at number viii on Euro Digital Song Sales, a Billboard nautical chart monitoring digital singles across Europe.[105] The track was certified platinum in Sweden and the U.K.,[106] [107] and 5 times platinum in Australia.[108] By October 2014, the single had sold over 616,000 digital copies in the U.Chiliad.[109] In Japan, "We Are Never Ever Getting Back Together" was a chart success, peaking at number two on the Nippon Hot 100 and remained on the chart until 2015, three years after its release.[110] The Recording Manufacture Clan of Japan (RIAJ) awarded the single a "Million" certification for selling over 1 million digital copies.[111]

Music video [edit]

Groundwork and release [edit]

A music video for the song premiered on CMT, MTV and TeenNick on Baronial 30, 2012, at 7:49 pm Eastern time, and later on MTV.com, CMT.com, and VH1.com the aforementioned day at 8:00 pm Eastern time. The video is directed by Declan Whitebloom, with whom Swift has worked on the music videos for both "Mean" and "Ours".[12] The video was shot like a pop-up book using a Sony F65 CineAlta camera with Leica 25 mm Summilux-C lens in i continuous shot with no editing, and features v sets and Swift in equally many outfits.[112] It is also the showtime music video to be featured in 4K resolution.[113] According to Swift, she wanted the video to exist every bit "quirky as the song sounds" and stated that "There's merely knitting everywhere; there's but random woodland creatures popping upwards."[38] Prior to the video'south release, a fourteen-2d preview was released by CMT on their official YouTube on August thirty, 2012.[114] Equally of September 2021, information technology has over 674 one thousand thousand views on YouTube.[115]

Synopsis [edit]

The video, which is done as one continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on again relationship with her ex-boyfriend (played by Noah Mills). The video then segues into Swift going into her living room where her band is dressed up in animal costumes and Swift belts out the chorus of the song. The video then goes to a Tv where Swift says "Like, ever." and so to the dining room where we see she returns to recounting the events of her relationship and receives a phone call from her ex who is calling her from a nightclub. Swift hangs up on him and he walks off screen into the nightclub. Information technology then goes to the two in a truck having an argument so to them having a stroll in the park. Swift then runs off and we see her on the phone telling the person on the other line how she and her ex are not getting back together and her frustration of their entire relationship. The video then segues back to Swift's living room where a party is going on and her ex shows upwards unannounced trying to woo her dorsum and she slams the door in his face. The video ends with Swift on her window ledge where she was at the kickoff of the video, singing the last line of the song.[117]

Reception [edit]

James Montgomery of MTV praised the video stating that the video is "truly a treat to lookout man".[118] Jim Farber of the New York Daily News comment on the video was that "[Swift's] tone and demeanor in the clip is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen daughter fan-base."[119] Carl Williott of Idolator commented on the video'southward content and stated "what more could you enquire for in a visual for a #1 pop smash?"[120] Rolling Stone called it "flinging strong-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky celebration that finds Swift singing and dancing with band members in beast costumes in between relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large glasses and a pair of printed pajamas as she shrugs off her not-so-nice ex-boyfriend, a scruffy, seemingly older musician-blazon with a penchant for drama."[122]

Live performances [edit]

Swift performing "We Are Never Ever Getting Back Together" on the Red Bout in 2013

Swift performed the song live for the first time at the 2012 MTV Video Music Awards on September six, 2012, which was held at the Staples Middle in Los Angeles.[12] [123] Swift was the last performance of the night and, wearing a red and white striped shirt and black shorts, began her performance in an surface area resembling a recording studio earlier taking the stage along with her back-up singers, dancers and ring (in animal costumes) took the stage.[124] Swift also performed the song alive at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the song on TV Xuxa and during a concert in Rio de Janeiro on September 13, 2012.[125] [126]

Swift performed the song on the British version of The X Factor on Oct 14, 2012.[127] She performed the vocal on the German Television bear witness Schlag Den Raab.[128] On Jan 25, 2013, Swift performed "We Are Never Ever Getting Back Together" at the Los Premios 40 Principales in Spain.[129] The next day, she performed it in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the song on her Ruby-red Tour nightly every bit the finale. A rock version of the song was performed on The 1989 World Tour. More recently, the song was performed every bit a mashup with "This Is Why We Tin't Have Squeamish Things" as the finale on Swift'southward Reputation Stadium Tour. Swift performed the song on the iHeartRadio Wango Tango on June 1, 2019. On Dec 8, she performed an acoustic version of the song at Capital letter FM's Jingle Bong Ball 2019 in London.[131]

Parodies [edit]

The song and video were parodied by teddiefilms in the style of Breaking Bad. The parody, called "We Are Never Ever Gonna Cook Together," was uploaded to YouTube on October 18, 2012.[132] The 22nd episode of Grey's Beefcake 's tenth flavor is titled "We Are Never Always Getting Back Together".[133] On September 8, 2012, YouTube star Shane Dawson, parodied the song, releasing a studio version[134] and a music video on his YouTube aqueduct.[135] Sky News remixed portions of speeches by David Cameron to arrive appear as though he was reciting the chorus as promotion for their coverage of the 2014 Scotland Independence Referendum.[136]

Credits and personnel [edit]

Credits are adjusted from the liner notes of the CD unmarried.[137]

  • Taylor Swift – lead vocals, author, producer, backing vocals
  • Max Martin – producer, writer, keyboards
  • Shellback – producer, writer, guitar, bass, keyboards, programming
  • Tom Coyne – mastering
  • Eric Eylands – assistant recording
  • Serban Ghenea – mixing
  • John Hanes – engineer
  • Sam Holland – recording
  • Michael Ilbert – recording
  • Tim Roberts – assistant engineer

Charts [edit]

Certifications and sales [edit]

Release history [edit]

"We Are Never Ever Getting Back Together (Taylor'southward Version)" [edit]

"We Are Never E'er Getting Back Together (Taylor's Version)"
Song past Taylor Swift
from the album Blood-red (Taylor's Version)
Released November 12, 2021 (2021-11-12)
Genre
  • Dance-pop
  • pop rock
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:thirteen
Label Republic
Songwriter(southward)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Christopher Rowe
  • Taylor Swift
  • Shellback
Lyric video
"We Are Never Ever Getting Dorsum Together (Taylor's Version)" on YouTube

Swift re-recorded "We Are Never E'er Getting Dorsum Together", subtitled "(Taylor's Version)", for her second re-recorded album, Red (Taylor's Version), released on November 12, 2021, through Republic Records.[200]

Charts [edit]

Run into also [edit]

  • List of Billboard Hot 100 number-one singles of 2012
  • List of Billboard number-one state songs of 2012
  • List of number-one digital songs of 2012 (U.S.)
  • List of Canadian Hot 100 number-one singles of 2012
  • List of number-one singles from the 2010s (New Zealand)

Footnotes [edit]

  1. ^ The tape was broken by Adele's 2015 single "Hi" (2015), which sold over one.1 million digital copies in its first week.[80] [81]
  2. ^ The tape was broken by Bebe Rexha's "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 consecutive weeks at number one.[87] [88]

References [edit]

  1. ^ "Grammy Awards Winners & Nominees for Record Of The Twelvemonth". The Recording Academy. Archived from the original on Nov 17, 2017. Retrieved June 2, 2021.
  2. ^ Effron, Lauren (August 13, 2012). "Taylor Swift Reveals New Album, 'Red,' Drops New Single, 'We Are Never Ever Getting Back Together': ABC Exclusive". ABC News. Archived from the original on October 15, 2017. Retrieved August 14, 2012.
  3. ^ Wolff, Kurt (January 16, 2013). "Behind The Song: Taylor Swift 'Nosotros Are Never E'er Getting Back Together'". CBS Local. Baltimore. Archived from the original on Feb 1, 2013. Retrieved January 16, 2013.
  4. ^ Taylor Swift (Baronial xiii, 2012). "Taylor Swift Web Conversation and 1000+ Hangout". YouTube. Google Inc. Archived from the original on Nov 23, 2020. Retrieved August 17, 2012.
  5. ^ a b "Taylor Swift: We Are Never Ever Getting Back Together". Google Play. Google Inc. August 13, 2012. Archived from the original on October 23, 2012. Retrieved August 17, 2012.
  6. ^ "Nosotros Are Never E'er Getting Back Together – Single". Apple Music. Archived from the original on Baronial 19, 2012. Retrieved August 14, 2012.
  7. ^ "We Are Never Always Getting Dorsum Together: Taylor Swift: MP3 Download". Amazon. August 14, 2012. Archived from the original on Baronial 24, 2012. Retrieved Baronial 17, 2012.
  8. ^ TaylorSwiftVevo (August fourteen, 2012). "Nosotros Are Never Ever Getting Dorsum Together (Lyric Video)". YouTube. Vevo and Google Inc. Archived from the original on Baronial 15, 2012. Retrieved August xv, 2012.
  9. ^ a b "Air-conditioning Available for Airplay". FMQB. Archived from the original on August 19, 2012. Retrieved August 18, 2012.
  10. ^ a b "Available for Airplay Archive". FMQB. Archived from the original on November 17, 2012. Retrieved August xviii, 2012.
  11. ^ a b "Going for Adds: Country". Radio & Records. Archived from the original on July 21, 2013. Retrieved August 18, 2012.
  12. ^ a b c "Taylor Swift'southward New Video Debuts Thursday". CMT. August 28, 2012. Archived from the original on October 29, 2014. Retrieved August 28, 2012.
  13. ^ a b Sources:
    • Taylor Swift (August 14, 2012). "Taylor Swift Limited EDITION 'We Are Never Ever Getting Dorsum Together' Packet". TaylorSwift.com. Archived from the original on August 21, 2012. Retrieved August 17, 2012.
    • "Limited EDITION 'We Are Never Ever Getting Back Together' Packet: Amazon.com". Amazon. Archived from the original on Baronial 31, 2012. Retrieved August 28, 2012.
  14. ^ Sources:
    • Taylor Swift (August 28, 2012). "Costless Aircraft: Limited Edition "Nosotros Are Never Ever Getting Dorsum Together" Unmarried CD". Taylorswift.com. Archived from the original on August 31, 2012. Retrieved August 28, 2012.
    • "Limited Edition 'We Are Never Ever Getting Back Together' Unmarried CD: Taylor Swift: Music". Amazon. Archived from the original on February 8, 2016. Retrieved Baronial 21, 2012.
  15. ^ "We Are Never Ever (Walmart Exclusive), Taylor Swift: Country: Walmart.com". Walmart.com. Walmart (Usa) Wal-Mart Stores, Inc. September iv, 2012. Archived from the original on June 5, 2016. Retrieved September 7, 2012.
  16. ^ D. Chandler (Baronial 15, 2012). "Taylor Swift's New Single "Nosotros Are Never Always Getting Back Together," Triumphs". The Guardian Express. Archived from the original on February 8, 2016. Retrieved August 15, 2012.
  17. ^ "Digital sail music – Taylor Swift – We Are Never E'er Getting Back Together". Musicnotes.com. Alfred Publishing. August 13, 2012. Archived from the original on December 3, 2013. Retrieved August 24, 2012.
  18. ^ a b c d Smith, Grady (August 14, 2012). "Taylor Swift releases single 'We Are Never Ever Getting Back Together', announces new album 'Red'". Entertainment Weekly. Archived from the original on Nov 2, 2014. Retrieved August 14, 2012.
  19. ^ "Taylor Swift'south Fourth CD, Red, Ready for Worldwide Release on October 22nd". PR Newswire. Big Machine Records. August thirteen, 2012. Archived from the original on February 8, 2016. Retrieved August 14, 2012.
  20. ^ a b Jonathan Keefe (August 15, 2012). "Single Review: Taylor Swift, "Nosotros Are Never Ever Getting Back Together"". Slant Magazine. Archived from the original on August 26, 2017. Retrieved Baronial 15, 2012.
  21. ^ "August 23 – "We Are Never Ever Getting Dorsum Together" Arrives". Spin. Archived from the original on October 9, 2016. Retrieved March 6, 2016.
  22. ^ "Red: Review". AllMusic. Archived from the original on June 3, 2016. Retrieved Nov 16, 2014.
  23. ^ Lachno, James (Oct 19, 2012). "Taylor Swift, Ruddy, album review". Telegraph. Archived from the original on October 12, 2016. Retrieved March 8, 2016.
  24. ^ Hogan, Marc (August 29, 2012). "Taylor Swift'southward New Album 'Red' Will Drop the Bass". Spin. Archived from the original on September 22, 2020. Retrieved July 21, 2020.
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  31. ^ Marah Eakin (August 17, 2012). "Mourn summer's inevitable cease with new Taylor Swift, Ty Segall, and Pinback | Playlisted". The A.V. Club. Onion Inc. Archived from the original on October 3, 2013. Retrieved August eighteen, 2012.
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